Circle of confusion

In optics, a circle of confusion (CoC) is an optical spot caused by a cone of light rays from a lens not coming to a perfect focus when imaging a point source. It is also known as disk of confusion, circle of indistinctness, blur circle, or blur spot.

In photography, the circle of confusion is used to determine the depth of field, the part of an image that is acceptably sharp. A standard value of CoC is often associated with each image format, but the most appropriate value depends on visual acuity, viewing conditions, and the amount of enlargement. Usages in context include maximum permissible circle of confusion, circle of confusion diameter limit, and the circle of confusion criterion.

Real lenses do not focus all rays perfectly, so that even at best focus, a point is imaged as a spot rather than a point. The smallest such spot that a lens can produce is often referred to as the circle of least confusion.

Two uses

Two important uses of this term and concept need to be distinguished:

In a perfect lens $L$ , all the rays pass through a focal point $F$ . However at other distances from the lens the rays form a circle.

For describing the largest blur spot that is indistinguishable from a point. A lens can precisely focus objects at only one distance; objects at other distances are defocused. Defocused object points are imaged as blur spots rather than points; the greater the distance an object is from the plane of focus, the greater the size of the blur spot. Such a blur spot has the same shape as the lens aperture, but for simplicity, is usually treated as if it were circular. In practice, objects at considerably different distances from the camera can still appear sharp;^[1] the range of object distances over which objects appear sharp is the depth of field (DoF). The common criterion for "acceptable sharpness" in the final image (e.g., print, projection screen, or electronic display) is that the blur spot be indistinguishable from a point.
In an imperfect lens $L$ , not all rays pass through a focal point. The smallest circle that they pass through $C$ is called the circle of least confusion.
For describing the blur spot achieved by a lens, at its best focus or more generally. Recognizing that real lenses do not focus all rays perfectly under even the best conditions, the term circle of least confusion is often used for the smallest blur spot a lens can make,^[2] for example by picking a best focus position that makes a good compromise between the varying effective focal lengths of different lens zones due to spherical or other aberrations. The term circle of confusion is applied more generally, to the size of the out-of-focus spot to which a lens images an object point. Diffraction effects from wave optics and the finite aperture of a lens determine the circle of least confusion;^[3] the more general usage of 'circle of confusion' for out-of-focus points can be computed purely in terms of ray (geometric) optics.^[4]

In idealized ray optics, where rays are assumed to converge to a point when perfectly focused, the shape of a defocus blur spot from a lens with a circular aperture is a hard-edged circle of light. A more general blur spot has soft edges due to diffraction and aberrations,^[5]^[6] and may be non-circular due to the aperture shape. Therefore, the diameter concept needs to be carefully defined in order to be meaningful. Suitable definitions often use the concept of encircled energy, the fraction of the total optical energy of the spot that is within the specified diameter. Values of the fraction (e.g., 80%, 90%) vary with application.

Circle of confusion diameter limit in photography

In photography, the circle of confusion diameter limit (CoC limit or CoC criterion) is often defined as the largest blur spot that will still be perceived by the human eye as a point, when viewed on a final image from a standard viewing distance. The CoC limit can be specified on a final image (e.g. a print) or on the original image (on film or image sensor).

With this definition, the CoC limit in the original image (the image on the film or electronic sensor) can be set based on several factors:

Visual acuity. For most people, the closest comfortable viewing distance, termed the near distance for distinct vision,^[7] is approximately 25 cm. At this distance, a person with good vision can usually distinguish an image resolution of 5 line pairs per millimeter (lp/mm), equivalent to a CoC of 0.2 mm in the final image.
Viewing conditions. If the final image is viewed at approximately 25 cm, a final-image CoC of 0.2 mm often is appropriate. A comfortable viewing distance is also one at which the angle of view is approximately 60°;^[7] at a distance of 25 cm, this corresponds to about 30 cm, approximately the diagonal of an 8-inch × 10-inch image (for comparison, A4 paper is 8.3 in × 11.7 in, 210 mm × 297 mm; US Letter paper is 8.5 in × 11 in, 216 mm × 279 mm). It often may be reasonable to assume that, for whole-image viewing, a final image larger than 8 in × 10 in will be viewed at a distance correspondingly greater than 25 cm, and for which a larger CoC may be acceptable; the original-image CoC is then the same as that determined from the standard final-image size and viewing distance. But if the larger final image will be viewed at the normal distance of 25 cm, a smaller original-image CoC will be needed to provide acceptable sharpness.
Enlargement from the original image to the final image. If there is no enlargement (e.g., a contact print of an 8×10 original image), the CoC for the original image is the same as that in the final image. But if, for example, the long dimension of a 35 mm original image is enlarged to 25 cm (10 inches), the enlargement factor is approximately 7, and the CoC for the original image is 0.2 mm / 7, or 0.029 mm.

The common values for CoC limit may not be applicable if reproduction or viewing conditions differ significantly from those assumed in determining those values. If the original image will be given greater enlargement, or viewed at a closer distance, then a smaller CoC will be required. All three factors above are accommodated with this formula:

CoC (in mm) = (viewing distance (in cm) / 25 cm ) / (desired final-image resolution in lp/mm for a 25 cm viewing distance) / enlargement

For example, to support a final-image resolution equivalent to 5 lp/mm for a 25 cm viewing distance when the anticipated viewing distance is 50 cm and the anticipated enlargement is 8:

CoC = (50 / 25) / 5 / 8 = 0.05 mm

Since the final-image size is not usually known at the time of taking a photograph, it is common to assume a standard size such as 25 cm width, along with a conventional final-image CoC of 0.2 mm, which is 1/1250 of the image width. Conventions in terms of the diagonal measure are also commonly used. The DoF computed using these conventions will need to be adjusted if the original image is cropped before enlarging to the final image size, or if the size and viewing assumptions are altered.

For full-frame 35 mm format (24 mm × 36 mm, 43 mm diagonal), a widely used CoC limit is $d$ /1500, or 0.029 mm for full-frame 35 mm format, which corresponds to resolving 5 lines per millimeter on a print of 30 cm diagonal. Values of 0.030 mm and 0.033 mm are also common for full-frame 35 mm format.

Criteria relating CoC to the lens focal length have also been used. Kodak recommended 2 minutes of arc (the Snellen criterion of 30 cycles/degree for normal vision) for critical viewing, yielding a CoC of about $f$ /1720, where $f$ is the lens focal length.^[8] For a 50 mm lens on full-frame 35 mm format, the corresponding CoC is 0.0291 mm. This criterion evidently assumed that a final image would be viewed at perspective-correct distance (i.e., the angle of view would be the same as that of the original image):

Viewing distance = focal length of taking lens × enlargement

However, images seldom are viewed at the so-called 'correct' distance; the viewer usually does not know the focal length of the taking lens, and the "correct" distance may be uncomfortably short or long. Consequently, criteria based on lens focal length have generally given way to criteria (such as $d$ /1500) related to the camera format.

If an image is viewed on a low-resolution display medium such as a computer monitor, the detectability of blur will be limited by the display medium rather than by human vision. For example, the optical blur will be more difficult to detect in an 8 in × 10 in image displayed on a computer monitor than in an 8×10 print of the same original image viewed at the same distance. If the image is to be viewed only on a low-resolution device, a larger CoC may be appropriate; however, if the image may also be viewed in a high-resolution medium such as a print, the criteria discussed above will govern.

Depth of field formulas derived from geometrical optics imply that any arbitrary DoF can be achieved by using a sufficiently small CoC. Because of diffraction, however, this is not quite true. Using a smaller CoC requires increasing the lens f-number to achieve the same DoF, and if the lens is stopped down sufficiently far, the reduction in defocus blur is offset by the increased blur from diffraction. See the Depth of field article for a more detailed discussion.

Circle of confusion diameter limit based on d/1500

CoC diameter based on $d$ /1500 for several image formats
Image Format	Format class	Frame size^[9]	CoC
1" sensor (Nikon 1, Sony RX10, Sony RX100)	Small format	8.8 mm × 13.2 mm	0.011 mm
Four Thirds System		13.5 mm × 18 mm	0.015 mm
APS-C^[10]		15.0 mm × 22.5 mm	0.018 mm
APS-C Canon		14.8 mm × 22.2 mm	0.018 mm
APS-C Nikon/Pentax/Sony		15.7 mm × 23.6 mm	0.019 mm
APS-H Canon		19.0 mm × 28.7 mm	0.023 mm
35 mm		24 mm × 36 mm	0.029 mm
645 (6×4.5)	Medium Format	56 mm × 42 mm	0.047 mm
6×6		56 mm × 56 mm	0.053 mm
6×7		56 mm × 69 mm	0.059 mm
6×9		56 mm × 84 mm	0.067 mm
6×12		56 mm × 112 mm	0.083 mm
6×17		56 mm × 168 mm	0.12 mm
4×5	Large Format	102 mm × 127 mm	0.11 mm
5×7		127 mm × 178 mm	0.15 mm
8×10		203 mm × 254 mm	0.22 mm

Adjusting the circle of confusion diameter for a lens's DoF scale

The f-number determined from a lens DoF scale can be adjusted to reflect a CoC different from the one on which the DoF scale is based. It is shown in the Depth of field article that

$\mathrm {DoF} ={\frac {2Nc\left(m+1\right)}{m^{2}-\left({\frac {Nc}{f}}\right)^{2}}}\,,$

where $N$ is the lens f-number, $c$ is the CoC, $m$ is the magnification, and $f$ is the lens focal length. Because the f-number and CoC occur only as the product $Nc$ , an increase in one is equivalent to a corresponding decrease in the other. For example, if it is known that a lens DoF scale is based on a CoC of 0.035 mm, and the actual conditions require a CoC of 0.025 mm, the CoC must be decreased by a factor of 0.035 / 0.025 = 1.4; this can be accomplished by increasing the f-number determined from the DoF scale by the same factor, or about 1 stop, so the lens can simply be closed down 1 stop from the value indicated on the scale.

The same approach can usually be used with a DoF calculator on a view camera.

Determining a circle of confusion diameter from the object field

To calculate the diameter of the circle of confusion in the image plane for an out-of-focus subject, one method is to first calculate the diameter of the blur circle in a virtual image in the object plane, which is simply done using similar triangles, and then multiply by the magnification of the system, which is calculated with the help of the lens equation.

The blur circle, of diameter $C$ , in the focused object plane at distance $S 1$ , is an unfocused virtual image of the object at distance $S 2$ as shown in the diagram. It depends only on these distances and the aperture diameter $A$ , via similar triangles, independent of the lens focal length:

$C=A{|S_{2}-S_{1}| \over S_{2}}\,.$

The circle of confusion in the image plane is obtained by multiplying by magnification $m$ :

$c=Cm\,,$

where the magnification $m$ is given by the ratio of focus distances:

$m={f_{1} \over S_{1}}\,.$

Using the lens equation we can solve for the auxiliary variable $f 1$ :

${1 \over f}={1 \over f_{1}}+{1 \over S_{1}}\,,$

which yields

$f_{1}={fS_{1} \over S_{1}-f}\,,$

and express the magnification in terms of focused distance and focal length:

$m={f \over S_{1}-f}\,,$

which gives the final result:

$c=A{|S_{2}-S_{1}| \over S_{2}}{f \over S_{1}-f}\,.$

This can optionally be expressed in terms of the f-number $N = f/A$ as:

$c={|S_{2}-S_{1}| \over S_{2}}{f^{2} \over N(S_{1}-f)}\,.$

This formula is exact for a simple paraxial thin lens or a symmetrical lens, in which the entrance pupil and exit pupil are both of diameter $A$ . More complex lens designs with a non-unity pupil magnification will need a more complex analysis, as addressed in depth of field.

More generally, this approach leads to an exact paraxial result for all optical systems if $A$ is the entrance pupil diameter, the subject distances are measured from the entrance pupil, and the magnification is known:

$c=Am{|S_{2}-S_{1}| \over S_{2}}\,.$

If either the focus distance or the out-of-focus subject distance is infinite, the equations can be evaluated in the limit. For infinite focus distance:

$c={fA \over S_{2}}={f^{2} \over NS_{2}}\,.$

And for the blur circle of an object at infinity when the focus distance is finite:

$c={fA \over S_{1}-f}={f^{2} \over N(S_{1}-f)}\,.$

If the $c$ value is fixed as a circle of confusion diameter limit, either of these can be solved for subject distance to get the hyperfocal distance, with approximately equivalent results.

History

Henry Coddington 1829

Before it was applied to photography, the concept of circle of confusion was applied to optical instruments such as telescopes. Coddington (1829, p. 54) quantifies both a circle of least confusion and a least circle of confusion for a spherical reflecting surface.

This we may consider as the nearest approach to a simple focus, and term the circle of least confusion.

Society for the Diffusion of Useful Knowledge 1832

The Society for the Diffusion of Useful Knowledge (1832, p. 11) applied it to third-order aberrations:

This spherical aberration produces an indistinctness of vision, by spreading out every mathematical point of the object into a small spot in its picture; which spots, by mixing with each other, confuse the whole. The diameter of this circle of confusion, at the focus of the central rays F, over which every point is spread, will be L K (fig. 17.); and when the aperture of the reflector is moderate it equals the cube of the aperture, divided by the square of the radius (...): this circle is called the aberration of latitude.

T.H. 1866

Circle-of-confusion calculations: An early precursor to depth of field calculations is the TH (1866, p. 138) calculation of a circle-of-confusion diameter from a subject distance, for a lens focused at infinity; this article was pointed out by von Rohr (1899). The formula he comes up with for what he terms "the indistinctness" is equivalent, in modern terms, to

$c={fA \over S}$

for focal length $f$ , aperture diameter $A$ , and subject distance $S$ . But he does not invert this to find the $S$ corresponding to a given $c$ criterion (i.e. he does not solve for the hyperfocal distance), nor does he consider focusing at any other distance than infinity.

He finally observes "long-focus lenses have usually a larger aperture than short ones, and on this account have less depth of focus" [his italic emphasis].

Dallmeyer and Abney

Dallmeyer (1892, p. 24), in an expanded re-publication of his father John Henry Dallmeyer's 1874 (Dallmeyer 1874) pamphlet On the Choice and Use of Photographic Lenses (in material that is not in the 1874 edition and appears to have been added from a paper by J.H.D. "On the Use of Diaphragms or Stops" of unknown date), says:

Thus every point in an object out of focus is represented in the picture by a disc, or circle of confusion, the size of which is proportionate to the aperture in relation to the focus of the lens employed. If a point in the object is 1/100 of an inch out of focus, it will be represented by a circle of confusion measuring but 1/100 part of the aperture of the lens.

This latter statement is clearly incorrect, or misstated, being off by a factor of focal distance (focal length). He goes on:

and when the circles of confusion are sufficiently small the eye fails to see them as such; they are then seen as points only, and the picture appears sharp. At the ordinary distance of vision, of from twelve to fifteen inches, circles of confusion are seen as points, if the angle subtended by them does not exceed one minute of arc, or roughly, if they do not exceed the 1/100 of an inch in diameter.

Numerically, 1/100 inch at 12–15 inches is closer to two minutes of arc. This choice of CoC limit remains (for a large print) the most widely used even today. Abney (1881, pp. 207–08) takes a similar approach based on a visual acuity of one minute of arc, and chooses a circle of confusion of 0.025 cm for viewing at 40–50 cm, essentially making the same factor-of-two error in metric units. It is unclear whether Abney or Dallmeyer was earlier to set the CoC standard thereby.

Wall 1889

The common 1/100 inch CoC limit has been applied to blur other than defocus blur. For example, Wall (1889, p. 92) says:

To find how quickly a shutter must act to take an object in motion that there may be a circle of confusion less than 1/100 in. in diameter, divide the distance of the object by 100 times the focus of the lens, and divide the rapidity of motion of object in inches per second by the results, when you have the longest duration of exposure in fraction of a second.

Notes

^ Ray 2000, p. 50.
^ Ray 2002, p. 89.
^ J.-A. Beraldin; et al. (2006). "Virtual reconstruction of heritage sites: opportunities and challenges created by 3D technologies". In Manos Baltsavias; Armin Gruen; Luc Van Gool; Maria Pateraki (eds.). Recording, modeling and visualization of cultural heritage. Taylor & Francis. p. 145. ISBN 978-0-415-39208-2.
^ Walter Bulkeley Coventry (1901). The technics of the hand camera. Sands & Co. p. 9.
^ Stokseth 1969, p. 1317.
^ Merklinger 1992, pp. 45–46.
^ ^a ^b Ray 2000, p. 52.
^ Kodak 1972, p. 5.
^ The frame size is an average of cameras that take photographs of this format. For example, not all 6×7 cameras take frames that are exactly 56 mm × 69 mm. Check with the specifications of a particular camera if this level of exactness is needed.
^ "APS-C" is a common format for digital SLRs. Dimensions vary slightly among different manufacturers; for example, Canon’s APS-C format is nominally 15.0 mm × 22.5 mm, while Nikon’s DX format is nominally 16 mm × 24 mm. Exact dimensions sometimes vary slightly among models with the same nominal format from a given manufacturer.

References

Abney, Sir William de Wiveleslie (1881). A Treatise on Photography. London: Longmans, Green and Co.
Coddington, Henry (1829). A Treatise on the Reflection and Refraction of light: being Part I. of a System of Optics. Cambridge: J. Smith.
Dallmeyer, John Henry (1874). On the Choice and Use of Photographic Lenses. New York: E. and H.T. Anthony and Co.
Dallmeyer, Thomas R (1892). On the Choice and Use of Photographic Lenses. London: J. Pitcher.
Eastman Kodak Company (1972). Optical Formulas and Their Application, Kodak Publication No. AA-26, Rev. 11-72-BX. Rochester, New York: Eastman Kodak Company.
Merklinger, Harold M. (1992). The INs and OUTs of FOCUS: An Alternative Way to Estimate Depth-of-Field and Sharpness in the Photographic Image (PDF). Bedford, N.S.: H.M. Merklinger. ISBN 0-9695025-0-8.
Ray, Sidney F. (2000). "The geometry of image formation". In Ralph E. Jacobson; Sidney F. Ray; Geoffrey G. Atteridge; Norman R. Axford (eds.). The Manual of Photography: Photographic and Digital Imaging (9th ed.). Oxford: Focal Press. ISBN 0-240-51574-9.
Ray, Sidney F. (2002). Applied Photographic Optics (3rd ed.). Oxford: Focal. ISBN 0-240-51540-4.
Society for the Diffusion of Useful Knowledge (1832). Natural Philosophy: With an Explanation of Scientific Terms, and an Index. London: Baldwin and Cradock, Paternoster-Row.
Stokseth, Per A. (October 1969). "Properties of a Defocused Optical System". Journal of the Optical Society of America. 59 (10): 1314. Bibcode:1969JOSA...59.1314S. doi:10.1364/JOSA.59.001314.
T.H. [pseud.] (1866). "Long and Short Focus". British Journal of Photography (13).
von Rohr, Moritz (1899). Photographische Objektiv. Berlin: Verlag Julius Springer.
Wall, Edward John (1889). A Dictionary of Photography for the Amateur and Professional Photographer. New York: E. and H. T. Anthony and Co.

External links

Circles of Confusion for Digital Cameras – DOFMaster
Depth of Field in Depth (PDF) – includes discussion of circle of confusion criteria
What Is the "Circle of Confusion" – ƒ/Calc manual

[FOOTNOTERay200050-1] Ray 2000, p. 50.

[FOOTNOTERay2002[httpsbooksgooglecombooksidcuzYl4hx-B8CpgPA89_89]-2] Ray 2002, p. 89.

[3] J.-A. Beraldin; et al. (2006). "Virtual reconstruction of heritage sites: opportunities and challenges created by 3D technologies". In Manos Baltsavias; Armin Gruen; Luc Van Gool; Maria Pateraki (eds.). Recording, modeling and visualization of cultural heritage. Taylor & Francis. p. 145. ISBN 978-0-415-39208-2.

[4] Walter Bulkeley Coventry (1901). The technics of the hand camera. Sands & Co. p. 9.

[FOOTNOTEStokseth19691317-5] Stokseth 1969, p. 1317.

[FOOTNOTEMerklinger199245–46-6] Merklinger 1992, pp. 45–46.

[FOOTNOTERay200052-7] Ray 2000, p. 52.

[FOOTNOTEKodak19725-8] Kodak 1972, p. 5.

[9] The frame size is an average of cameras that take photographs of this format. For example, not all 6×7 cameras take frames that are exactly 56 mm × 69 mm. Check with the specifications of a particular camera if this level of exactness is needed.

[10] "APS-C" is a common format for digital SLRs. Dimensions vary slightly among different manufacturers; for example, Canon’s APS-C format is nominally 15.0 mm × 22.5 mm, while Nikon’s DX format is nominally 16 mm × 24 mm. Exact dimensions sometimes vary slightly among models with the same nominal format from a given manufacturer.

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[4]

[5]

[6]

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